STORMWORKS Chapter 1 Overview
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Time Music for: TITLE:  STORMWORKS Chapter I: Without Warning ... 74:33
Click to see Score Notes & Sample Pages
Perusal Score SCORE & PARTS in PDF Printed SCORE & PDF PARTS
0:01:33 CB G6 WITHOUT WARNING 
(1st move of Honor, Courage...Commitment)
order HCC from STORMJourneys order HCC from STORMJourneys order HCC from STORMJourneys
0:11:00 CB G5 STORMWORKS 
(3 movements)
45 140 155
0:05:33 CB G3-4 O COME HOLY NIGHT!  
(2 parts w/opt Chor)
40 105 120
0:05:33 CB G4-5 GIVING 40 95 105
0:07:33 CB G4-5 FESTIVAL of LIGHT! 40 110 125
0:11:00 CB G5 ERICH!  (3 movements) 45 140 155
0:05:33 Low Brass & Timpani ERICH!  (for Low Brass Choir & Timpani) 30 55 60
0:05:33 Brass 4tet & Timpani ERICH!  (for Brass Quartet & Timpani) 30 55 65
0:25:45 CB G2-5 multi-movements THE FOUNTAINHEAD  
(6 movements, 5th is a Percussion Ensemble)
90 275 315
0:05:45 CB G4 AMERICA THE BRAVE! (w/opt Chorus) 40 105 115
Without Warning, from Honor, Courage, Commitment
  • Without Warning, from Honor, Courage, Commitment

Please order Honor, Courage, Commitment from STORMJOURNEYS.

WITHOUT WARNING from HONOR, COURAGE... COMMITMENT

Fasten your seatbelts! WITHOUT WARNING is fast, features everyone, and delivers maximum impact! Requires either Synth or Acoustic Jazz Bass. WITHOUT WARNING is the First Movement of a larger work entitled HONOR, COURAGE... COMMITMENT, which has the potential of becoming a 12-minute, 3-movement work if utilizing the optional closing statement of GODSPEED!

The 2nd movement of HONOR, COURAGE, COMMITMENT was recorded on the STORMJOURNEYS CD.

HONOR, COURAGE... COMMITMENT is a large-scale, filmic, and musical portrayal of the United States Navy's Action and Adventure on the High Seas. The piece requires strong brass and percussion players and woodwind players with advanced technique.

The complete piece is on the STORMJOURNEYS CD and the STORMWORKS... Chapter ONE CD.

In cart Not available Out of stock
$135.00
O Come Holy Night! (2 parts, with Chorus)
  • O Come Holy Night! (2 parts, with Chorus)

The work opens with a mysterious, middle-eastern, spine-chilling swell. Suddenly, Hark the Herald Angels heralds over driving rhythms, surrendering to a chilling version of Silent Night. Many options include possibilities for solo singer to full chorus to horn solo to horn tutti, and more. A dramatic restatement, again with optional chorus, leaves the audience tuned and ready for what’s next on your program!

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$40.00
Giving
  • Giving

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$40.00
The FOUNTAINHEAD
  • The FOUNTAINHEAD

A 6 movement work designed to span a Music Program, Elementary through High School. Movement 5 is a Percussion Ensemble piece.

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$90.00
America the Brave!
  • America the Brave!

With optional SATB Chorus and optional vocal solos.

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In cart Not available Out of stock
$40.00

WITHOUT WARNING from HONOR, COURAGE... COMMITMENT

Fasten your seatbelts! WITHOUT WARNING is fast, features everyone, and delivers maximum impact! Requires either Synth or Acoustic Jazz Bass. WITHOUT WARNING is the First Movement of a larger work entitled, HONOR, COURAGE... COMMITMENT, which has the potential of becoming a 12-minute, 3-movement work if utilizing the optional closing statement of GODSPEED!

The 2nd movement of HONOR, COURAGE, COMMITMENT was recorded on the STORMJOURNEYS CD.

HONOR, COURAGE... COMMITMENT is a large scale, filmic, and musical portrayal of the United States Navy's Action and Adventure on the High Seas. The piece requires strong brass and percussion players and woodwind players with advanced technique.

The complete piece is on the STORMJOURNEYS CD. and the STORMWORKS... Chapter ONE CD.

STORMWORKS

3 Movements

Composed to assist the Music Educator in teaching concepts like quickly changing meters, music in 2's, music in 3's... and the calm of introspection, this 3-movement work, and the body of work to follow, is a powerful addition to your diverse and musical Library.

Please visit the Score and Score Notes for more detailed information.

O COME HOLY NIGHT!

The work opens with a mysterious, middle-eastern, spine-chilling swell. Suddenly, Hark the Herald Angels heralds over driving rhythms, surrendering to a chilling version of Silent Night.  Many options include possibilities for solo singer to full chorus to horn solo to horn tutti, and more. A dramatic restatement, again with optional chorus, leaves the audience tuned and ready for what’s next on your program!
 

GIVING

Taking the three notes chosen by Dr. Joe Scagnoli, the subject of Giving's Commission, the work sets out to describe a great phenomenon of Music... that of Giving. 

For me, this piece is what it feels like... to Give. The piece is richly scored for the double reeds and low reeds, with plenty of opportunity for all forces in the ensemble to explore exciting new drama and colour.

FESTIVAL OF LIGHT!

Read the Incredible Story of the Premiere here!

As a Conductor programming the Winter Concert, or any concert in which you wish to explore the vocabulary of the Middle East, you will want to know about FESTIVAL of LIGHT! Indeed a Storm Story, the work is a musical retelling of Chanukah, complete with Syrian invasion, Macabeen defense, the Shofar's call to battle, and the final victory of the Eternal Light that burned for eight days. 

The piece is characteristically scored for the oboe, English horn and woodwinds, with plenty of opportunity for all forces in the ensemble to explore exciting new colours, rhythmic ideas and 'exotic' harmonies.

ERICH!

 Click Here to View Perusal Score for the Concert Version

Click here to see the Low Brass Version

Click here to see the Quartet Version

Potent, Straussian, Korngoldian orchestration,.. constantly changing colours and rhythmic drive take us through this swashbuckling tribute to Composer, ERICH WOLFGANG KORNGOLD!

The highly energized music is derived from the first 5 notes of the major scale. In addition to its programmatic power, ERICH is a wonderful teaching tool. The 2nd Movement, The Gift of Love, is a romantic ballad, warm and giving.

There is also a Brass Quartet Version, and a Low Brass Choir Version.

Erich Wolfgang Korngold, born in Brynn, Austria (now Brno, Czechoslovakia), on 29 May 1897, has been called the last of the great Romantic composers. The son of eminent Austrian music critic Julius Korngold, he was a child prodigy who stunned the Viennese music world with his precocity as a composer.

At the age of ten, he played his "Gold" cantata for Gustav Mahler, who proclaimed him a genius and sent him to one of Austria's foremost teachers for advanced training. In 1910 the premiere of his ballet "Der Schneemann" -- which he had composed two years earlier -- created a sensation at the Vienna Court Opera.

The teenaged Korngold followed this with a Piano Trio and a Piano Sonata in E that Artur Schnabel championed. Other admirers included Puccini, who praised Korngold's 1916 opera VIOLANTA, and Richard Strauss, who described his reactions to Korngold's adolescent compositions as follows: "awe and fear: this firmness of style, this sovereignty of form, this individual expression, this harmonic structure -- it is really amazing."

Korngold composed the work for which he is now best known, the opera DIE TOTE STADT, when he was 20; its dual premiere in Hamburg and Cologne in 1920 secured his reputation throughout Europe. In 1928 a poll conducted by a Vienna newspaper ranked Korngold with Schoenberg as the two greatest living composers. Korngold's friend and collaborator, stage and film director Max Reinhardt, brought him to Hollywood in 1934.

He was ready to return home for the Vienna premiere of his fifth opera, DIE KATHRIN, when Hitler's troops marched into Austria and were greeted by cheering crowds. He remained in the United States, bringing members of his family out of Austria ahead of the wave of Nazi terror. For the next two decades Korngold composed music for films and the concert hall, including a Violin Concerto, introduced by Jascha Heifetz, and a Symphonic Serenade for strings, conducted by Wilhelm Furtwingler. Two of his film scores, for ANTHONY ADVERSE (1936) and THE ADVENTURES OF ROBIN HOOD (1938), won Academy Awards. He passed on in Hollywood on November 29, 1957.

STORMLore: it was in the film ANTHONY ADVERSE, that I first heard, as a young boy, the STORMChord!  "Erich Korngold, far and beyond his history or critical acclaim, is a man who I have come to Love and admire... because of his Music! In his outpouring I can hear the valiant stance against the un-Romantic. I hear him take on the mantle of honesty and sincerity and giving. He offered to us, the 'Gift of Love'

This piece, ERICH!... is a small and humble gift back to him. I hope that you and the kids will truly enjoy this "pointer" back to Erich Korngold, the man... and his much needed Music. Godspeed!"