Jazz & Orchestral Music
Score & Parts
| Title | Duration | Grade | Price | Options |
| Jurassic Blues | 4:33 | Jazz Ens. G5 | $50 |  |
| Swing Slave | 4:33 | Jazz Ens. G3 | $50 | |
| After the STORM (Orchestral Version) | 7:00 | Orch & Chorus G5 | $155 | |
| S-MATRIX Symphony # Numberless | 19:57 | Orch Professional | $200 | |
| SYMPHONY 2: At Life's Edge | 25:00 | Orch Professional | $250 | |
| Concerto for Violin & Orchestra | 26:33 | Orch Professional | $220 | |
| Always the Return, the Adagio from 1201PM | 4:33 | Small Orchestra G4-5 | $80 | |
| TOP SECRET! | 21:00 | High School Show Choir w/Prerecorded CD | $210 | |
| THAT WE MIGHT LIVE for Orchestra | 10:11 | Orchestra G4-5 | $100 | |
| RAGE | 4:52 | Timpani & Trumpet G5 | $50 | |
| Introspection | 5:00 | Oboe, E. Horn, Horn, Strings G5 | $60 | |
| WU: Technesophia, a Dance of the Wu Li Master | 5:00 | Band G3 | $75 | |
| China, My Heart & Longing | 2:44 | String Orchestra G2 | $60 | |
Reviews
"He could become the Leonard Bernstein of this age... Everything he creates has many layers, ranging from synchronicity to the significance of numbers, from visceral emotions to the brotherhood of mankind." John S. Sweeney, Music Critic
"His S-MATRIX Symphony was fabulous, full of childlike wonderment as the composer intended and marvelous sounds. And they worked to maximum effect - a brilliant, original use of orchestral resources for a sophisticated, sensational, beautiful and satisfying experience."Nancy R. Ping-Robbins, Music Critic
"Melillo is to wind music what Beethoven was to the symphony orchestra, and he follows a Beethovenesque design of increasing the musical tension almost to the breaking point, receding, and then reaching again. It is superlative musical craftsmanship and inspiring to hear." Marvin Sosna, Special to The Tribune.
"...a new voice in the direction of music, his sound ? a bridge between the serious and the immediately visceral." Maestro Gerhardt Zimmerman, Conductor
"... his ability to create a mood, find precisely the right touch of drama and create the needed effect was manifest... the sustained chords in the choir, the timpani's roar, the harp's glissandos. Melillo used them all with a sense of absolute rightness and the result was fresh, joyful and exciting... each measure scored with an unerring ear for drama and emotion." John S. Sweeney, Music Critic
"I sit back in a studio. There are others around me. Our eyes are focused on a viewing screen and our ears poised. The two tapes roll. A video and a film score from you. What takes place has to be called a miracle. We are pulled here, then yanked back, thrown into despair then lifted back on to our feet and beyond, far far beyond. The score is beautiful Steve. More than I could have hoped for. What a triumph! I thank you." Rogers Follansbee, Director