This
chart first developed in 1992-1993 still holds. Though attempts have been
made to imitate the STORMWORKS® Model... It's still a David &
Goliath scenario. |
|
| STORMWORKS (aka David) |
Business
As usual (aka Goliath) |
The
MUSIC... the Kids... the Audience and You
come FIRST! |
The
market dictates musical content! (aagh!) |
| Stormworks
is DEEPLY personal, intimate and charged with a mission
to remain consistently dedicated to honest Music and close contact to
those who will render it. |
Third
Party Business. |
The
Composer makes his own Music available. |
Third
Party Business. |
| No
Copyright Infringement from Photocopying. A Master Set of Score
& parts is provided for your library. Fresh copies for future students
and imbalanced ensembles as you need them! |
Must
order additional parts and sets. More $. |
In
the case of certain Music, parts may be tailored to your specific needs.
In many cases, original field versions have been created for their concert
counterparts. Many possibilities for educational uses. |
A
piece, usually standardized to meet the needs of an homogenous mass, exists
in predetermined formats. |
| Music
is usually sent the SAME day it is ordered. It may be
sent via mail, overnight shipping or email! |
Bureacracy. |
Music
may be obtained in MANY formats, via Email, CDR or Laser
Printout. The "future" that people
have talked about is already STORMWORKS' History! |
Music
is designed to be difficult to duplicate and takes time to receive. |
| Music
is CONSTANTLY available because it is created as required!
It's "baked fresh"! |
Music
has a Shelf-Life. |
Access
to Composer. |
Access
to Bureacracy. |
| MANY
support mechanisms including: Commissions, Guest Conducting, Clinics,
Teaching Strategies, Phone Conferencng, Internet and just about anything
you can think of or suggest that would help you in your noble task as
a Music Educator! |
Access
to Bureacracy whose function is to make you more dependent upon the Bureacracy. |